
Confession of a poet after a year of war
If you think of yourself as a poet or a poetess and you are considering taking this path seriously, most likely sooner or later you will ask yourself this question: what can I do for poetry?
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If you think of yourself as a poet or a poetess and you are considering taking this path seriously, most likely sooner or later you will ask yourself this question: what can I do for poetry?
Few weeks ago (mid January it was)* I took part in a writer’s conference with other international writers in Kolkata, India. It was a panel discussion addressing the topic of “Writing for the post-pandemic world”.
The morning begins with a final farewell to a soldier in our yard. He died in the war. A message about this appeared in the neighbor chat yesterday, indicating the building number and the entrance. High-rise buildings, just like low-rise ones, can’t avoid loss in wartime. There are more than 800 apartments in our building. Is there at least one unaffected by the war?
He was so eager to join the army. Finally, he got conscripted. We couldn’t get in touch with him for several days, I already began bracing ourselves to say goodbye to him. And then in the evening Valerik sent me a message: ‘Alive. Love you’.
If someone had told me that I would live through such a situation, I would not have believed: during the war in the city, sirens keep going off, there is no electricity and no heat supply, but, despite everything, people dress up, get on the subway, take cars or trolleybuses and go to the theater for a literary night.
People come to meetings with writers in the wartime for many reasons. The first of them is an opportunity to speak on the topics that cannot be hushed up. To hear how one should fight the enemy, but remain a human, with love in one’s heart.
They were killing people of culture for their unwillingness to cooperate. Thus, one of the numerous crimes still remains shocking: the chief conductor of Kherson Music and Drama Theatre Yuriy Kerpatenko was killed by Russian military men in his own house after he refused to cooperate with the invaders. Con-duc-tor!
Residents of Ukrainian cities, who, for almost a year now, have been living in the conditions of great war, constant shelling and daily disasters, do not wake up to an alarm clock. They are awakened by an app that loudly imitates a siren and warns: “Air raid alarm! Immediately follow to the nearest shelter!”
The Ukrainian city of Kherson was under occupation for more than eight months. Having occupied the city in spite of the powerful civic resistance, on March 1 the Russian army shot 17 territorial defense soldiers from tanks.
The first news about the potential blackout in the capital of Ukraine shocked everyone.
Kyiv. It is night outdoors. It is absolutely dark in this yard. Two multi-storeyed buildings standing one after the other are not lit at all. Adults, children, elderly people with specific needs live in these buildings.
The word “front” in the dictionary of the Ukrainian language has got nine meanings. That is incredibly a lot, since when I normally work with texts and check specific words, they have several lexical meanings.
Knowledge Domains and Keywords
Philosophy
Political Philosophy
Philosophy & Literature
Social Philosophy
Philosophy of Mind
Philosophy of Music
Philosophy of Sport
African Philosophy
Arab Philosophy
Asian Philosophy
Latin American Philosophy
Western Philosophy
Ethos Pathos Logos
Ethics
Aesthetics
Somaesthetics
Universal Values
Natural Rights
Justice
Problem of Evil
Thinking
Bildung
Health
Wellbeing
Emergentism
Emergence
Complexity
Antifragility
Metamodernity
Epistemology
Sociology of philosophy
Interdisciplinarity
Improvisation
Futures studies
Futurology
Foresight
Social science
Sociocultural Anthropology
Sociocultural Evolution
Social Psychology
Community Psychology
Cognitive Psychology
Soft Law
Democracy
Meritocracy
Polithea
Integral Theory
Social Identity Theory
The Spiral of Silence Theory
Education Management
Liberal arts education
Edutainment
Enlightenment
Economics
Creative economy
Project Management
Program Management
Social Entrepreneurship
Design Thinking
Philology
Linguistics
Etymology
Neology
Narratology
Writing
Human Ecology
Globalization
Urban Studies
Environment
History
Intellectual History
Ethnography
Ethnology
Communication Science
Social Capital
Art of Communication
Cross-cultural сommunication
Communication Management
Humour Studies
Програми Культурного Хабу реалізуються завдяки потужності та обороноздатності Збройних Сил України, через волю, професійну і фінансову участь наших мемберів та інституційних партнерів з 2022 року: European Cultural Foundation, MitOst e.V., BBK Landesverband Bayern e.V., Київської Бієнале.
Ми також глибоко вдячні всім тим колегам — культурним дипломатам — із ким ще не знайомі особисто, але відчуваємо та цінуємо вплив вашої праці.
The programmes of the Cultural Hub are being implemented thanks to the power and defense capacity of the Armed Forces of Ukraine, through the will, professional and financial participation of our members, as well as institutional partners since 2022: European Cultural Foundation, MitOst e.V., BBK Landesverband Bayern e.V., and Kyiv Biennial.
We’re also deeply grateful to all those colleagues — cultural diplomats — who we don’t know personally so far, but we feel and appreciate the impact of your work.
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