People Are Coming Back
People are coming back to their villages and towns. They return home, even though they often no longer have one. Their homes turned into skeletons.
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People are coming back to their villages and towns. They return home, even though they often no longer have one. Their homes turned into skeletons.
It is a country with wounded faces. With the scars that never healed — red rivers are still pouring out of them. Every wrinkle on their skin is a story about life and death.
Once, the sky was our salvation. People turned to the sky, pleading for justice. The sky could love — but could also deliver just punishment. People went to the heavens to rest in peace.
War separates you from what’s always been with you, what’s always been you. It leaves you alone with some scant remains of you. Because you are not you without the color of your walls.
This is our land. The land into which you grow roots — knee-deep, waist-deep, shoulder-deep. The land where you stand your ground and which you will never leave.
This land, it is embodied in voices. It’s embodied in bodies, souls, and eyes wet from rain and tears. In the steps you take, measuring the space you will never give away.
It’s like we’re back in Baroque Chiaroscuro. Caravaggio, Rembrandt, van Honthorst, de La Tour. An era where light is rare, like revelation; where the starting point of existence and thinking is darkness, blindness, and the compression of space and time.
The Russians are waging war not against Ukraine. And not even against Europe. They are waging war against the reality.
The online lecture in KMA [National University of “Kyiv-Mohyla Academy” — Editor’s note] had to be canceled. We stayed without electricity from ab. 4 pm until 7 pm (when the lecture was supposed to begin), but the power did not resume.
I’m not sure you noticed it: the Russians are trying to copycat us. We say that this is a war of life against death, of biophilia against necrophilia — and they say this from behind their looking-glass, but of course, their statements are marked opposite.
Knowledge Domains and Keywords
Philosophy
Political Philosophy
Philosophy & Literature
Social Philosophy
Philosophy of Mind
Philosophy of Music
Philosophy of Sport
African Philosophy
Arab Philosophy
Asian Philosophy
Latin American Philosophy
Western Philosophy
Ethos Pathos Logos
Ethics
Aesthetics
Somaesthetics
Universal Values
Natural Rights
Justice
Problem of Evil
Thinking
Bildung
Health
Wellbeing
Emergentism
Emergence
Complexity
Antifragility
Metamodernity
Epistemology
Sociology of philosophy
Interdisciplinarity
Improvisation
Futures studies
Futurology
Foresight
Social science
Sociocultural Anthropology
Sociocultural Evolution
Social Psychology
Community Psychology
Cognitive Psychology
Soft Law
Democracy
Meritocracy
Polithea
Integral Theory
Social Identity Theory
The Spiral of Silence Theory
Education Management
Liberal arts education
Edutainment
Enlightenment
Economics
Creative economy
Project Management
Program Management
Social Entrepreneurship
Design Thinking
Philology
Linguistics
Etymology
Neology
Narratology
Writing
Human Ecology
Globalization
Urban Studies
Environment
History
Intellectual History
Ethnography
Ethnology
Communication Science
Social Capital
Art of Communication
Cross-cultural сommunication
Communication Management
Humour Studies
Програми Культурного Хабу реалізуються завдяки потужності та обороноздатності Збройних Сил України, через волю, професійну і фінансову участь наших мемберів та інституційних партнерів з 2022 року: European Cultural Foundation, MitOst e.V., BBK Landesverband Bayern e.V., Київської Бієнале.
Ми також глибоко вдячні всім тим колегам — культурним дипломатам — із ким ще не знайомі особисто, але відчуваємо та цінуємо вплив вашої праці.
The programmes of the Cultural Hub are being implemented thanks to the power and defense capacity of the Armed Forces of Ukraine, through the will, professional and financial participation of our members, as well as institutional partners since 2022: European Cultural Foundation, MitOst e.V., BBK Landesverband Bayern e.V., and Kyiv Biennial.
We’re also deeply grateful to all those colleagues — cultural diplomats — who we don’t know personally so far, but we feel and appreciate the impact of your work.
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